IFPI: Amidst highly competitive market, global recorded music revenues grew 4.8% in 2024 19 Mar 2025
Paid subscription streaming key revenue driver; all regions deliver growth
Music companies embrace AI’s opportunities
The Premium Edition of the IFPI Global Music Report 2025, also available today here.
Figures released today in IFPI’s Global Music Report 2025 reveal that total trade revenues reached US$29.6 billion in 2024, up by 4.8%.
Working within a highly competitive market, record companies’ long term investment into the careers of artists, alongside the development and licensing of engaging and exciting ways for fans to experience music, continues to drive the growth of the global market – with every region experiencing an increase in revenue in 2024.
Subscription streaming was the key driver of growth, with an increase of 9.5% whilst users of subscription accounts grew 10.6% to 752 million globally.
Commenting on the release of the Global Music Report, Victoria Oakley, CEO, IFPI said: “The essential role music plays in so many parts of our lives is evidenced in the continued growth of the global industry. What is so exciting is that there is still great potential for further development, through innovation, emerging technologies, and investment in both artists and the evolving parts of the growing global music ecosystem.
“These positive developments don’t happen by accident. They reflect the brilliant creativity, vision and hard work of artists and songwriters around the globe, powered in part by the work, investment and passion of record companies and their teams. In the case of record labels, returning revenues enable them to be patient, long-term, consistent investors in artists, innovation and culture.
“One of the key issues we’ve looked at in this report is the role of AI in music. Record companies have embraced its potential to enhance artist creativity and develop new and exciting fan experiences. However, it is very clear that the developers of generative AI systems “ingesting” copyright-protected music to train their models without authorisation from the rightsholders poses a very real and present threat to human artistry.
“We are asking policymakers to protect music and artistry. We must harness the potential of AI to support and amplify human creativity, not to replace it.”
Recorded music revenue formats:
- Streaming revenues exceeded US$20bn for the first time (US$20.4 billion) and represented 69.0% of total recorded music revenues. For context, US$20bn was bigger than the entire recorded music industry revenues for each year between 2003-2020.
- Paid subscription streaming revenue increased 9.5% in 2024, whilst ad-supported streaming formats grew by a more modest 1.2%.
- Physical formats had a more challenging year, with revenues declining by -3.1%, however this was against a strong performance in 2023 when revenues soared by 14.5%. Vinyl revenues continued to grow in 2024, up 4.6%, which was the 18th consecutive year of growth.
- Performance rights revenues meanwhile reached US$2.9 billion in 2024 and grew by 5.9% - the fourth successive year of revenue growth.
Growth in the world’s regions:
There was a positive story of growth across the globe as the work and investment from record companies contributed to every region experiencing revenue growth in 2024. Three of the world’s seven regions posted double-digit gains – Middle East & North Africa, Sub-Saharan Africa and Latin America. Middle East & North Africa (MENA) was the fastest growing region at 22.8%.
USA & Canada +2.1%
Representing the greatest share of global recorded music revenues (40.3%), there was a gain of 2.1% in 2024 in the USA and Canada. The USA, the world’s single largest recorded music market posted growth of 2.2%. Canada, the world’s eighth largest market, saw revenue growth of 1.5%, however this was set against a 2023 figure which included a one-off payment included in performance rights revenues.
Europe +8.3%
Representing more than a quarter of global revenues (29.5%) after revenue growth of 8.3%, Europe remained the second largest region in the world for recorded music revenues in 2024. The region’s three largest markets all generated revenue growth in 2024: UK (+4.9%), Germany (+4.1%) and France (+7.5%). The region added more revenue growth than any other.
Asia +1.3%
The third largest region globally, revenues in Asia rose by 1.3% in 2024. This was set against a strong performance in 2023 across both physical and digital formats, where revenues jumped 14.4%. However, Asia maintained its status as the largest physical market and accounted for 45.1% of global physical revenues in 2024. A decline in physical (-4.9%) has therefore impacted the region’s overall growth rate. The world’s second largest market, Japan, was flat year-on-year (-0.2%) [due to decline in physical], whilst China, ranked #5 globally, increased revenues by 9.6%.
Latin America +22.5%
Recorded music revenues in Latin America rose steeply in 2024 by 22.5%, once again outpacing the global growth rate and marking its fifteenth consecutive year of growth. Streaming remained the key driver and accounted for 87.8% of recorded music revenues in the region. Brazil grew by 21.7% which made it the fastest growing top ten market, and Mexico increased revenues by 15.6%. Mexico climbed to become the tenth largest global recorded music market.
Australasia +6.4%
Recorded music revenues in the region reached US$629 million and grew by 6.4% in 2024. Australia increased revenues by 6.1%, however dropped out of the top ten markets and was replaced by Mexico, whilst New Zealand grew recorded music revenues by 7.8%.
Middle East & North Africa +22.8%
Middle East & North Africa (MENA) was the fastest growing region and saw recorded music revenues increase by 22.8% in 2024. The region remained dominated by streaming and those revenues accounted for 99.5% of the total.
Sub-Saharan Africa +22.6%
Sub-Saharan Africa saw recorded music revenue growth of 22.6% and these revenues surpassed US$100 million for the first time (US$110 million). South Africa remained the largest market in the region and accounted for 75% of the region’s revenues, following growth of 14.4%.
NEWS & PRESS
Women's leadership programme Music Leaders Network opens applications for September
Women’s leadership programme Music Leaders Network opens applications for September 2025. Applications are open now and the programme will run from September 2025 until January 2026. The 12 members of the next cohort of the transformational leadership programme will be joining a growing alumni of 90...more
Abbey Road celebrates the reopening of Studio One with two spectacular events in the iconic studio
SIX MONTHS AGO, FOR THE FIRST TIME IN HISTORY, STUDIO ONE WAS CLOSED TO UNDERGO EXTENSIVE RESTORATION ABBEY ROAD’S SYNERGY IN MOTION EVENT TOOK PLACE LAST NIGHT, WITH JOSEPH TOONGA CREATING ORIGINAL CHOREOGRAPHY TO THE FILM SCORES OF DANIEL PEMBERTON, REMIXED AND...more
Elbow and Co-op Live gift proper sound to Manchester grassroots venues
Almost a year since their acclaimed inaugural performance at Manchester’s Co-op Live, elbow have teamed up with the UK’s largest live entertainment arena to gift a combination of sound equipment to a selection of iconic grassroots music venues in the...more
Tick-Box Training, Virtue Signalling and Poster Campaigns Must End - NTIA Calls for a Cultural Shift in Safeguarding
The Night Time Industries Association (NTIA) is urging the Safeguarding Minister and local authorities to move beyond outdated, performative approaches to safety and commit to real cultural change in safeguarding within the night-time economy. Regulatory strategies that rely on enforcement-led,...more
Limitless Live announces new partners Self Space, Run Deep, Clash Magazine and others for 2025
TAKES PLACE ON MAY 4TH AT LONDON’S ROUNDHOUSE GHETTS, YOUNG T & BUGSEY AND NAFE SMALLZ TO PERFORM Limitless Live, the UK’s largest free live music show with social purpose at its core, reveals a series of collaborations to reinforce Limitless Live’s commitment to...more
ECSA elects new Board
Today, the members of the European Composer and Songwriter Alliance (ECSA) elected a new Board of Directors for a period of three years. The new Board re-elected Helienne Lindvall (SKAP, Sweden) as ECSA President, after having already served for a...more
Into-it launches game-changing music discovery tool with leading music companies
Into-it launches game-changing music discovery tool with leading music companies and online publishers including the Independent, Rough Trade, Domino Records and Gilles Peterson’s We Out Here festival Into-it’s Chrome extension transforms news websites for music fans by replacing banner ads with...more
AI Song Contest and Musical AI Announce Partnership for the 2025 Edition
The AI Song Contest is set to return in 2025, once again pushing the boundaries of human–AI co-creativity in music. This year, the contest proudly announces a major partnership with Musical AI as its main collaborator, alongside RipX DAW as junior partner. Together, they...more
EU AI Act's GPAI Code of Practice - statement
Joint statement by a coalition of authors, performers and other rightsholders active across the EU's cultural and creative sectors regarding the third draft of the EU AI Act's GPAI Code of PracticeThe third draft of the GPAI Code of Practice...more
BPI Insight Session: Drum & Bass
BPI INSIGHT SESSION IN ASSOCIATION WITH BOWERS & WILKINS: Drum & BassUK Made, Globally Played FABRIC, LONDON 16 April 2025 BPI is hosting an exclusive conference, followed by a ticketed celebration with a top-tier line-up, at London’s iconic Fabric. Bringing together industry leaders, artists,...more
Night Time Industries Association Slams Chancellor's Statement as Industry Warnings Ignored
The Night Time Industries Association (NTIA) is outraged by the Chancellor’s latest Statement—a reckless dereliction of duty that blatantly disregards the night-time economy’s desperate need for support. Once again, the Government has ignored the mounting evidence of economic devastation in...more
Music Nation partners with Soundexchange to collect and distribute neighboring rights in the UAE
The deal builds on Music Nation’s best-in-class tools, technology and industry partnership with Broadcast Music Inc. (BMI) to create the first-ever collective management organization with a single royalty solution Music Nation Copyrights Management (Music Nation), a pioneer in music rights management in...more
ERA promotes Megan Ogleby-Page to Head of Operations
Digital entertainment and retail association ERA has appointed Megan Ogleby-Page, the driving force behind Record Store Day for over a decade, as Head of Operations. The move will give her oversight of all ERA’s activities, reporting to CEO Kim Bayley. Ogleby-Page joined...more
Sony Music Entertainment India and Tiger Baby Announce New Tiger Baby Records Joint Venture
Acclaimed Filmmakers and Creative Powerhouse Behind Coke Studio to Lead New Label "City Sessions" Initiative to Support Artist Collaboration Sony Music Entertainment India and Tiger Baby announced today the launch of Tiger Baby Records, a new joint-venture music label dedicated to nurturing...more
Sync team behind 'Kneecap' film to feature alongside 'Sex Education' music supervisor at AIM Sync 2025
Online conference returns on Tuesday 8th April, 10am - 6pm BST, followed by in-person networking on 29th April. Tickets here. Sync team behind multi award-winning film “Kneecap” to share their story Keynote interview with Matt Biffa (Air Edel), known for work on “Sex...more
Music Support partners with MHFA England
First of its kind collaboration produces Mental Health First Aid training material tailor-made for the music industry. Music Support, the charity that helps anyone who works in the UK music industry experiencing substance use, addiction and/or mental health challenges, has partnered...more
DAACI Shares Solutions for Copyright and AI - Ethical, Legal Framework Presented to Government for Generative Music Creation
DAACI has today released a white paper demonstrating that they have an ethical, legal framework for creating generative original music, that embeds copyright, consent and attribution for artists at its core. The white paper, an output of DAACI's Innovate UK funded...more
Music Venue Trust - Spring Statement response
A response to the Spring Statement from Sophie Brownlee, External Affairs at Music Venue Trust: “The Chancellor, Treasury and DCMS have all the facts and data they need to know how to reverse the decline in access to live music and...more
UK Music's response to the Spring Statement
UK Music Chief Executive Tom Kiehl said: “The Chancellor has talked again about her strategy for economic growth and some of the potential benefits of Artificial Intelligence. “However, while we share the ambition to realise benefits from AI there was nothing in...more
AIM - Spring Statement response
Gee Davy, CEO of the Association of Independent Music (AIM) "Independent music businesses and entrepreneurs understand the government's ambitions to drive growth and its need to carefully balance the books in an insecure global climate, but employment schemes and living wage increases won't...more
Sony Music Publishing Signs Global Deal with MTech
Sony Music Publishing, in partnership with renowned producer Sounwave, today announced the signing of acclaimed producer, engineer and multi-instrumentalist MTech to a global publishing deal, covering catalog and future songs. Matthew Bernard, aka MTech, has quickly established himself as a dynamic...more
Live Odyssey announces exclusive collaboration with John Lennon's family
FIRST TIME REVELATIONS DOCUMENTING HIS EARLY YEARS A MULTI SENSORY JOHN LENNON EXHIBITION COMBINING ART, SOUNDSCAPES, PROJECTIONS, RARE ARTEFACTS & LIVE PERFORMANCES Live Odyssey has announced an exclusive collaboration with John Lennon's sister Julia Baird for its opening on 22 May. This authentic...more
Restore The Music announces Lady Ella Windsor as Patron & Awards £160k in new grants to ten schools in London, Birmingham, Manchester & Newcastle
Respected schools’ music charity Restore The Music (RTM) has announced Lady Ella Windsor as its Patron. Lady Ella has a lifelong love of music and takes on her Patronage to support the charity in its ‘whole child approach’ to music education. Lady Ella is passionate about...more
Impala unveils its revamped 100 artists to watch programme for 2025 in partnership with YouTube, celebrating diversity and innovation across Europe's independent music scene
IMPALA is pleased to announce the 100 Artists to Watch for 2025, in partnership with YouTube, marking the fourth consecutive year of this exciting initiative. This year’s lineup features a vibrant and diverse selection of emerging talent from across Europe’s independent...more
Brazilian authorities execute anti-streaming manipulation Operation Out of Tune
Individual arrested after uploading more than 400 fake tracks to DSPs Following an operation supported by IFPI, Pro-Música Brasil, and Brazilian anti-piracy body Association for the Protection of Phonographic Intellectual Rights (APDIF), an individual responsible for generating more than 28 million...more
She Writes Songs Launches A New Movement to Champion Female Songwriters
London & Monterey, California to Host Exclusive Launch Events She Writes Songs (SWS), a pioneering new community interest company, is launching to support female songwriters in an industry still dominated by men. A recent study estimates that 90% of songs in the public domain are...more
Record Store Day Announces Fundraising Activities for War Child
13 RELEASES INCLUDING SUGABABES, DAVID SYLVIAN, CHVRCHES AND THE CURE TO DONATE £1 FROM EVERY UNIT SOLD TO RAISE MONEY FOR CHILDREN AFFECTED BY CONFLICT CAMPAIGN LAUNCHES INTERNATIONALLY FOR FIRST TIME Record Store Day is turning up the volume for its official...more
Rinrin signs to UK Label Year Of The Rat Records
RinRin is the musical project of Filipino-born and Australian-based singer-songwriter and guitarist Qarin Hipe. Taking cues from luminaires BABYMETAL, Poppy and Bring Me The Horizon, RinRin creates her own unique brand of pop-punk and metal that expounds infectious energy. Since...more
A Sustainable Future for Music Authors: Insights from ECSA's 2025 Creators Conference
Today, the European Composer and Songwriter Alliance (ECSA) held the seventh edition of its Creators Conference under the patronage of the European Parliament. Hosted by Members of the European Parliament (MEPs) Bogdan Andrzej Zdrojewski (EPP – Poland) and Emma Rafowicz (S&D – France) at...more
PPL revenues exceed £300 million for the first time
UK businesses continue to invest in music and international collections return to growth Music licensing company PPL’s revenue reached £301.0 million in 2024 (2023: £283.5 million), an increase of £17.5m (6%) year-on-year and the highest in its 90-year history. Often referred...more
THE HEADLINES
Impala dismisses draft of EU AI Act GPAI Code of Practice (see News)
Music subscriber market shares Q4 2024 report (see Reports)
Industry reactions to the Chancellor’s Spring Statement (see News)
Anthropic scores preliminary victory in AI-copyright clash against music companies (see News)
SoundCloud releases first Music Intelligence Report (see Reports)
Changing industry dynamics, bifurcation and the superfan ecosystem (see Opinion)
AI: Minister Peter Kyle promises government will ‘prioritise . . . forward movement’ (see News)
CMA throws its weight behind government plans to cap ticket resale prices (see News)
Ed Sheeran calls for UK to put £250m into music education (see News)
What's the perfect song length? (see Analysis)
AI is supercharging majors' data analysis. Indies need to assemble or get left behind (see Opinion)
IFPI's annual Global Music Report - all the stats and analysis (see Reports)
RIAA 2024 Report: On-demand streaming subs top 100m in the US (see Reports)
How the DNA of a hit changed in the last five years (see Analysis)
Interview: Lola Young’s manager Nick Shymansky (see Features)
Music strand of SXSW in Texas rumoured to be cut back (see News)
UK Music calls for an urgent Government rethink after moves to prevent AI firms stealing music creators' work were blocked in Parliament (see News)